The charm of Black Mirror used to lay in its sense of place, it’s social, national, and cultural identity. The very same thing that charmed me about Mark Fisher’s cultural analysis, the writing of Line of Duty, and the exaggerated social history of Peaky Blinders. What charms me about all these is their identity, their inherent Britishness, and it’s become increasingly more evident that Charlie … Continue reading The Demise of the once brilliant Black Mirror